There is something endlessly fascinating and even slightly creepy about children - or more particularly the liminal space between childhood and adulthood. You can see it in Edvard Munch's painting, Puberty, and the discomfort it provokes. You can see it in John Wyndham's book, The Midwich Cuckoos, in films like The Omen and more recently L'Innocence and The Falling.
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