Amazon UK

Monday 30 April 2018

#10: The Guernsey Literary and Potato Peel Pie Society: rejacketed (Film Tie in)

The Guernsey Literary and Potato Peel Pie Society
The Guernsey Literary and Potato Peel Pie Society: rejacketed (Film Tie in)
Annie Barrows , Mary Ann Shaffer
(1315)

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Review: Save Me - Cecy Robson


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 Save Me - Cecy Robson

Translator Spotlight: Avery Fischer Udagawa


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Blog Tour: Save Me - Cecy Robson (Excerpt & Giveaway)


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“The good is possible” – Census by Jesse Ball

"Census, the eighth novel by Jesse Ball but something like the 16th book and the first to be published in the UK, is without a doubt a strange one. On one level, it's the story of a father and son, the father dying, the son different in some way, who travel together, the father having taken on the job of census taker, a peculiar role at a peculiar time in a peculiar version of what might be America..."

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“The good is possible” – Census by Jesse Ball


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#10: Love to Hate You: The hit romantic comedy of 2018

Love to Hate You
Love to Hate You: The hit romantic comedy of 2018
Jo Watson
(117)

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Mr Ripley's Enchanted Books: Interview with Sara Mulvanny Illustrator (Q&A)


It's fantastic to have the very talented illustrator, Sara Mulvannyon, on Mr Ripley's Enchanted Books today. It's always fascinating to uncover the inside life of an illustrator, their work and background. I love Sara Mulvanny's work, especially her brilliant book covers for children and adult books. This post has been a wonderful opportunity to ask her questions about her career and life. I hope this little interview has piqued your interest in her work. If so, then why not pop over to her website and take a look at her other projects at http://www.saramulvanny.com 

Have a great day and happy reading.

How did you become an illustrator? 
I grew up painting and drawing and I knew from an early age that I wanted to be an artist. Although I was quite academic at school and excelled at maths and physics, my favourite subject was art. It was something I loved doing so it never felt like a chore. At college, I realised that it was the commercial application of art that I found really fascinating rather than fine art. I loved collecting old posters, adverts and beautiful ephemera. I studied Illustration at Kingston University and graduated with a BA (Hons) in 2010 after which I moved back to my Hampshire studio to pursue a career as a freelance illustrator. I was thrilled to receive my first commission a few days after I graduated, it was a book cover for Random House. Since then I’ve created illustrations for books, magazines, packaging, restaurant/museum interiors, and posters. In 2013 I joined Agency Rush and each year gets better and better and therefore busier and busier! 

What is your favourite medium to draw/paint with? 
All my Illustrations start as rough sketches to work out ideas and composition. I use a Staedtler Mars Micro Mechanical Pencil on cartridge paper, my favourite being Daler Rowney Smooth Heavyweight paper which is great for line work. When I am happy with the rough I will effectively pull it apart so that I can re-draw each element separately using pen and ink. My favourite finer liners are Uni PIN Drawing Pens, but I also use a Rotring Artpen and a Pentel brush pen as well. Those separate line drawings are then scanned into my Apple iMac and the final illustration is digitally composed on Adobe Photoshop using colour and texture. My final illustrations exist as digital files and are composed of sometimes hundreds of layers which gives me freedom to adjust colours and layout easily. I absolutely love my Wacom pen tablet which I use for Photoshop work and I don’t know how I ever survived without it. 

Describe your typical working week? 
Every week is different and I love the variation in my working life, you never know what challenges you will face from each day to the next. I’m the most productive and creative in the mornings so I tend to get up early if I’m very busy with commissions. I’m disciplined about taking tea/coffee/yoga breaks otherwise I become sluggish and lose motivation during the afternoon. When I have a lot of deadlines I will draw all day. I find that allocating a certain amount of time for each project prevents me from falling behind. I dislike working late at night because I’m not very productive when I’m tired. When I have a respite from deadlines I catch-up on more menial tasks such as organising paperwork and accounts. I also try to go to the gym every evening to do an exercise class in an attempt to stop myself from becoming a hermit. Trying to keep a good work/life balance can be difficult, they can easily amalgamate into one and the same thing which isn’t particularly healthy. I’m lucky enough to be part of Agency Rush who are a great bunch of people, they are really supportive and they definitely help me feel less isolated when I’m working on my own. Occasionally I get the chance to go to London to visit a client, or Brighton to visit Agency Rush, these days a rare luxury now but it’s always good to get out of my quiet studio and see the hustle and bustle of the city. 

What kind of illustration projects are you most interested in? 
I’m very grateful that I’ve had the opportunity to work on a wide range of projects over the years; My illustrations have been featured in a variety of media from books to packaging, restaurant interiors to posters. It’s this variety that makes life as an illustrator so exciting, rather than a particular type of commission. I’m often juggling a few commissions at once, and it’s their differences which make them enjoyable, rather than their similarities. I’m currently working on a large commission for a museum, a book about plants, a map for a magazine cover, a science book, and an editorial piece about wedding cakes! 

Could you tell us a bit about any of your upcoming projects? 
I’ve been working on a large commission over the last few months for the Museum of Royal Worcester which is having a complete redesign by the very talented Studio Savage. My illustrations are being used on each floor of the museum in a manner of different scenarios which is really exciting. The largest part of the project is the life-size kitchen installation. The kitchen is split down the middle, with a 1920’s design on one side and a 1970’s design on the other. I’ve illustrated everything from the floor patterns and wallpaper to the kitchen cupboards, food, china, life-size oven, microwave, table and the posters adorning the walls. I also created a large 18th century map of England and a smattering of other illustrations throughout the museum. It’s currently being printed and I can’t wait for the launch, it’s the largest commission I’ve worked on and it will be great to see my work in such an immersive setting. 

What is the best piece of advice that you have ever received from someone within the industry? 
There’s plenty of great advice out there for new illustrators, fledgling designers should definitely pick up a copy of The Fundamentals of Illustration by Lawrence Zeegen: it’s packed full great tips and advice I found useful when starting out. But often the best lessons are the hard ones you learn yourself. You can’t avoid making mistakes, it’s a natural part of progress. However, when you make mistakes you learn from them and (hopefully!) you don’t make them again. 

A quote that I found helpful over the years is: 

‘Admire someone else’s beauty without questioning your own’ 

As an illustrator you will have moments in life when you compare your work to other people’s with the result being that you end up feeling inferior. An important skill is being able to admire other people’s work without doubting your own abilities. There are so many great illustrators out there it can be daunting pursuing a career in such a competitive market. But we all have insecurities as an artist, days when we feel like what we do isn’t good enough, and there are some commissions which just don’t work out as well as others for whatever reason. However, I’ve found that there are far more good days than bad, and there are some really great days as well. Perseverance pays off and the great days make all the hard work worthwhile. 



What is a favourite piece of work that you have produced? 
One of my favourite book cover commissions is still ‘Chasing the Dram’ by Rachel McCormack. The brief itself was quite open: the publisher wanted the cover to feel ‘really fun’ and if I made sure the whisky and travelogue aspects were clear, I had a free reign so to speak. That kind of brief either works out really well or can be a bit of struggle if the client is unsure of what they want. In this case it was the former and it’s one of my favourite commissions as I got to combine my love of hand-drawn typography with some humour and narrative elements, a limited muted colour palette and the creation of a map for the end papers. 


Who are your favourite illustrators and why? 
I love the strong, bold designs of Noma Bar: his clever use of negative space and humour is unapparelled, it’s essentially the definition of great design. Being able to communicate an idea with minimal shapes takes maximum skill. On the other side of the spectrum I’m always in awe of the lavish wallpaper patterns by William Morris, the beauty of the sinuous flora is mesmerising. I love patterns and it’s something I would like to do more of in the future. 

Tell us a secret? 
I’m a massive Harry Potter geek, I queued up for the books at midnight and my sister and I have been on the studio tour 4 times so far… I also listen to the Harry Potter audio books read by Stephen Fry when I’m getting stressed because they keep me calm. In truth, my family and friends would say my Harry Potter obsession is less of a secret and more of a well-known fact.


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Author of 'The Pisces' Has Your Bookish Horoscope













Melissa Broder's risqué new book, The Pisces, is a fantastical tale mixing merman lust with group therapy. To celebrate the book's release, Broder is recommending books based on each of the astrological signs. See if the stars are aligning for your Want to Read shelf.








ARIES









I wish that all the Aries dudes I’ve slept with had read this satirical fable about El Hadji, a polygamist businessman, whose sudden impotence leads to his downfall.













TAURUS









Sensual, luxurious Taureans—especially those with a dark side—will gobble this one up. Also, if you haven’t read Carmen Maria Machado’s Her Body and Other Parties yet, it’s unreal.














GEMINI









There’s a reason why Gemini and Aries are soul signs, and this book of poems by Aries Lasky contains enough fire (and dark water) to shake a heady Gemini off their island of intellect.














CANCER









For the Cancerian who never quite feels they are at home in the world, always the outsider, this book by Ghanaian author Aidoo is recommended.












LEO









I’d recommend this brilliant text to anyone in the zodiac, but Leos especially may experience a psychic shift as a result of Lispector’s reframing of what it means to be the center of the universe.












VIRGO









We Virgos who find our serenity (at least for three minutes) in making order out of chaos need more laughter—and to allow our evil thoughts to flow more freely—and this book has both.











LIBRA









I don’t know, Libra, but I could just see this happening to you. I’m sorry. But it’s a gorgeous book. Also, if you’ve never read Mary Gaitskill's Bad Behavior what are you even doing?









SCORPIO









One of my all-time favorites for the sign that can turn longing into a religion. Bonus points for another of my favorite ardent, ravenous tales of obsessive love: Turkish Delight by Jan Wolkers (Tin House English translation).










SAGITTARIUS









Open-minded Sagittarians (that’s most of you) should relish this strange, sexy tale of a free-spirited woman’s love affair with a (sort of) dog.














CAPRICORN










This is a favorite book of my favorite Capricorn, and since literary taste by sun sign is likely b.s., there’s just as good of a chance you’ll love this book as any. If you’re feeling more French than English, he’s also really into Colette right now.













AQUARIUS









Aquarians, you’ve been toting that water for too long. You need to head to fire island, sit back and do some laughing and lusting with a delicious (and very smart) 70s soap opera. That funny, lusty, brilliant soap opera is Larry Kramer’s Faggots.












PISCES









This gem should resonate with the oceanic—and sometimes dark—Pisces soul, upon which reality is constantly, painfully infringing.
















posted by Cybil on April, 27

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Sunday 29 April 2018

Boundless Books: 50 Literary Classics Transformed into Works of Art - Postertext


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#10: The Foundling

The Foundling
The Foundling
Georgette Heyer
(77)

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John Clewarth - Firestorm Rising - Book Review - Mr Ripley's Enchanted Books


Raingate Cemetery is the spooky playground of Tom Allerton, Daniel 'Doc' Studd and Jasmine 'Jazz' Baxter, and provides a great opportunity for them to play a practical Halloween joke on their schoolmates. Events take an unexpected turn when a freak storm occurs and lightning strikes an ancient and crumbling tomb. The children flee in terror, all except for Jazz who decides to investigate. Peering into the smoking rubble of the sepulchre, she is strangely drawn towards a weird pendant which unleashes a chain of terrifying and supernatural events. As the unearthly owner of the pendant endeavours to get it back, the friendship of the central characters is put to the toughest test, and they discover the true meanings of friendship, loyalty, truthfulness and fear. The children learn that there are far more things in the universe than they ever learned at school, as a terrifying monster is awakened from a long hot sleep. . .

When I was a child, I loved being scared. I'm not quite sure why? But I did. I loved to watch old creepy movies late at night and hide behind my pillows. One of my favourite places to go was the local graveyard. I pretended that there were monsters, ghosts and zombies roaming about in the dark, ready to jump out and grab me! Reading 'Firestorm Rising' by John Clewarth definitely took me back to my childhood. The atmospheric tale kept me reading late into the night and searching for a secure cover. 

The book has an interesting and intriguing open sentence "The meteor sizzles through the vastness of space like a giant, blazing phoenix". This certainly grabs and pulls you into a dark vortex of mystery. The story captures your imaganation but without revealing too much in the way of infomation. It helps each fantasy brain to fill in the gaps and provides every reader with their own interpretation and perspective of the story. Nevertheless, you'll find yourself hurtling along a roller-coaster of an adventure into a plot of spookiness, friendship and a terrifying monster. The story gains power and momentum, feeding off the fear from the characters and readers alike. 

This is a great story for the Halloween-period as it is fast-paced, easy to read and very relatable. The author has written a great story distilling the dark elements of the story and contrasting these with the friendships and playfulness in which the story is told. The individual character personalities shine through and enable the reader to develop an emotional attachment with at least one or more of the characters. 

A great recommended read that has its feet set in reality. It slowly sucks the reading into an unconventional and absorbing spooky fantasy that you will want to read quickly. This should be a great hit with every age - young and old, but especially reluctant readers. If this sounds like your type of book then you might want to read an extract of the book or visit the author's website to track down a copy. However, I'm not sure how easy it will be to get your hands on one. Why not pop over now and say hello!  http://www.johnclewarth.com 


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The Butchering Art by Lindsey Fitzharris


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#9: Into the Darkest Corner

Into the
Into the Darkest Corner
Elizabeth Haynes
(2170)

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New video by Penguin Books UK on YouTube

Clare Balding with Richard E. Grant | Penguin Podcast
Clare Balding joins Richard E. Grant in the Penguin Studio to talk about her first children’s book The Racehorse Who Wouldn’t Gallop. Clare brings along a number of objects that inspired her book, including her family jockey silks and her Olympic torch from the 2012 Games, as she explains why children love stories about ponies and why she was determined to write a book with a girl-power message. #PenguinPodcast ------------------------------------------------------------------------- Subscribe to the Penguin channel: https://ift.tt/2ygTzig Follow us here: Twitter | http://www.twitter.com/penguinukbooks Website | https://ift.tt/xNmtGX Instagram | https://ift.tt/2ygyyo2 Facebook | https://ift.tt/2wmBKky


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“Gets off to a slow start” – One Way by SJ Morden


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“Gets off to a slow start” – One Way by SJ Morden

"In your traditional murder mystery, someone dies in the first quarter and the final three quarters are all about finding the murderer. In One Way, it takes over 160 pages – almost half the book – for the first death to occur..." - Bethany Pritchard reviews One Way by SJ Morden

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New video by Penguin Books UK on YouTube

GIVEAWAY 🎉 How To Dance The Charleston With Jacqueline Wilson 'Dancing the Charleston' is a brand new Jacqueline Wilson novel, ful...